Florence Knoll 1961
With her typical modesty, Florence Knoll described her own line of desks as the “meat and potatoes” which had to be provided. “I did it because I needed the piece of furniture for a job and it wasn’t there, so I designed it.” While this may have been the motivation for the 1961 Table Desk, the result is anything but a fill-in piece. Perfectly proportioned and flawlessly detailed, the design embodies Florence Knoll’s adherence to the teachings of her favorite mentor, Mies van der Rohe.
Prior to the pioneering approach of Florence Knoll and the Knoll Planning Unit, executive offices in America were nearly all planned the same way. Florence Knoll described this standard layout in her 1964 “Commercial Interiors” entry for the Encyclopedia Britannica: “In such an office there was always a diagonally-placed desk, with a table set parallel behind it, a few chairs scattered around the edge of the room, and a glassed in bookcase. The table behind the desk generally became an unsightly storage receptacle.” Seeking to create a space better suited to the executive’s primary function — communication — Florence reconsidered the illogical layout from an architectural perspective. She eliminated the imposing desk, replacing it with the more inviting table desk, placed parallel to the back wall. Storage was moved to behind the table in a matching low credenza.
The elegant 2480 Pedestal Table Desk, introduced in 1961, exudes executive quality and epitomizes Mies van der Rohe’s impact on Florence’s approach to design. Each detail was endlessly refined to achieve simple, seemingly effortless beauty. Knoll Development Group member Vincent Cafiero: “She had an ability to see. I remember working with her on the base of the table, and we were talking about fractions of an inch — 16ths and 32nds of a taper — just to get it absolutely right.” Despite being conceived for the office, the table has found itself in many dining rooms over the last fifty years.
After demonstrating an early interest in architecture, Florence Schust was enrolled at the Kingswood School for Girls, adjacent to the Cranbrook Academy of Art. There she met Eilel Saarinen, and went on to study under some of the greatest 20th century architects, including Gropius, Breuer, and Mies van der Rohe.
With Florence’s design skills and her husband Hans’ business acumen and salesmanship, the pair grew Knoll into an international arbiter of style and design. In creating the revolutionary Knoll Planning Unit, Florence Knoll defined the standard for the modern corporate interiors of post-war America.
16822 | Saarinen Executive Arm Chair
11673 | Knoll East Greenville
11358 | The University of Tennessee Natalie L. Haslam Music Center
8659 | Florence Knoll Round Table Desk, Sprite Chair
7165 | Florence Knoll Private Office
7022 | Life Chair
8888 | Private Office with Saarinen Table & Chairs
3712 | Florence Knoll Table Desk and Credenza
5376 | Florence Knoll Table Desk with Flat Bar Brno Chairs
6852 | Knoll Miami Showroom
6587 | Graham Collection Private Office
5353 | The Graham Collection
10404 | Florence Knoll Table Desk and Pollock Chair
10397 | Florence Knoll Table Desk and Saarinen Executive Chairs
4611 | Flat Bar Brno Chairs and Florence Knoll Table Desk
2851 | Saarinen Executive Chairs & Florence Knoll Table
16821 | Saarinen Executive Arm Chair
The configurator below is for reference purposes only. All options, finishes and sizes may not be represented.
For the complete scope, please refer to the KnollStudio price list.
(78" Table shown)