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    Antenna® Media Enclave

    A shared screen solution for dynamic workspaces.

    The Antenna Workspaces Media Enclave is a collaborative activity space for small group meetings of two to six participants using a TV or shared screen. Recognizing that technology has a life cycle of 18 to 24 months while furniture lasts much longer, Media Enclave is designed to engage with technology, rather than embed technology.


    Media Enclave is pre-configured from standard Antenna big table components for ease of ordering and planning. Media Enclave kits include the table, optional end panel, and power. A Sapper Monitor Arm, specified separately, mounts to the center beam to discreetly manage display technology.

    Key Benefits

    SYNCHRONIZES FURNITURE AND TECHNOLOGY. Flexibility helps bridge the time gap between furniture and technology evolutions, supporting current technologies without limiting the ability to integrate new solutions – whether hardware or software based – as the market changes

     

    SUPPORTS NEW WORK MODES. Furniture is a platform on which technology can help employees connect with each other, display and share information, and adapt to changing work processes

     

    ACCESS TO POWER. Media Enclave can be powered by the standard Antenna four circuit power components, with up to 8 duplex outlets from a single point of supply, or by standard outlet strips stored in cable basket. Cable basket and hinged table top make wire management effective and discreet

     

    NEUTRAL AESTHETIC. The Media Enclave is visually compatible with Antenna Workspaces and other Knoll systems and Activity Spaces products. With a large scope of standard finishes, top materials and accessories the Media Enclave works anywhere in the office

    Dimensions

    Enhancing the Beauty of Wood

    More than ever, office design today relies on the warmth and natural beauty of wood to infuse a feeling of hospitality into the workplace. For nearly 80 years, Knoll has brought the refinement and performance of wood to work environments, helping to create inspiring places for people to do their best. Our focus on proportion and scale, the appropriate use of materials and finishes, and attention to detail is unsurpassed.

    Our new finishing technology expands our wood manufacturing expertise, combining the timelessness of good design with the enduring qualities of careful workmanship.

    Our core collection consists of over 30 natural and Techwood veneers. In addition, we now offer open and closed pore options, and up to three levels of gloss: high, medium, and low — giving specifiers a greater range of design options to realize their vision.

    Additional Info

    Environmental Certification
    • BIFMA level® certified
    • Available with an FSC® certified claim
    • Can contribute to achieving LEED® certification for Existing Buildings,
      Commercial Interiors and New Construction

    Sustainable Design
    • Legs have 30-45% recycled content steel
    • Adhesives and finishes are virtually VOC-free
    • PVC-free
    • Fiberglass-free

    Antenna Design was founded in 1997 by Masamichi Udagawa, a Cranbrook Academy graduate, and Sigi Moeslinger, who holds degrees from NYU and Art Center College of Design. Antenna's people-centered design approach aims to make the experience of objects and environments more meaningful and exciting. Among Antenna’s best known projects are the design of New York City Subway cars and ticket vending machines, JetBlue check-in kiosks and displays for Bloomberg.

    When Knoll set out to create a new open plan office system, Antenna’s experience with the ever-expanding presence of technology, and their expertise in user experience made them an attractive collaborative partner. Together Knoll and Antenna conceived Antenna Workspaces, an innovative open plan system, which reflects Udagawa and Moeslinger’s interest in functional simplicity and their expertise in using design as a tool of social interaction that bridges people and technology.

    Antenna has been recognized with several prestigious design awards, including the National Design Award in Product Design from the Cooper-Hewitt National Design Museum. Both Udagawa and Moeslinger are senior critics in graphic design at the Yale University School of Art.